Israeli film scholar Dan Chyutin observes that Israeli film once reflected secular Israeli society, and religion appeared mainly as stage dressing. But in recent decades, a steady stream of films have put religion, especially ultra-orthodox Judaism, in the foreground.

Is this a mirror of Israeli society? Or just an excuse to discuss our favorite films?

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This season of the Tel Aviv Review is made possible by The Van Leer Jerusalem Institute, which promotes humanistic, democratic, and liberal values in the social discourse in Israel.

Tel Aviv Review is also supported by the Public Discourse Grant from the Israel Institute, which is dedicated to strengthening the field of Israel Studies in order to promote knowledge and enhance understanding of modern Israel.