Exploring Israeli literature in English translation. Host Marcela Sulak takes you through Israel’s literary countryside, cityscapes, and psychological terrain, and the lives of the people who create it.

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Robertag-t
Robertag-t
“Wonderful exposure to contemporary Hebrew (mostly) fiction and poetry - much of which is not available or known about outside of Israel.”
POLARIS ZIONISTA
POLARIS ZIONISTA
“Excellent podcast giving exposure to the best of Israeli letters: fiction and poetry, contemporary and classic, it's an essential regular listen. Also has very well selected musical accompaniments.”
bks&poet
bks&poet
“Marcela's voice is perfect for narrating the poetry featured on this podcast. It really puts me in between the lines of text.”

Recent Episodes

Track Changes

Kashua’s protagonist is a nameless “I” who shares considerable biographical overlaps with the author. His confessions are hardly reliable, making every level of his storytelling suspect, which Kashua further visually underscores by “track changes”-style crossed-out text.

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“One, Two, Three”

Marcela reads from Anat Zecharia’s poem, “One, Two, Three.” The poem’s title and subtitle refer to Uzi Hitman’s children song about three dwarfs who sit chatting behind a mountain.

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“The Children I Will Never Have”

Marcela highlights poetry from the latest issue of The Ilanot Review which, in collaboration with Granta Hebrew, published English translations of up and coming poets and writers, most of whom are featured for the very first time.

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About the Host

Marcela Sulak

Marcela is an associate professor in the Department of English Literature and Linguistics at Bar-Ilan University. She teaches American Literature, poetics, and translation, and poetry workshops in the Shaindy Rudoff Graduate Program in Creative Writing. Her poetry includes Decency (2015), Immigrant (2010). She was nominated for the 2017 PEN Award for Poetry in Translation, and translates from Czech, French, Spanish, German, Hebrew, and Yiddish. She’s co-edited Family Resemblance. An Anthology and Exploration of 8 Hybrid Literary Genres, and her essays appear in The Los Angeles Review of Books, The Boston Review, The Iowa Review, Gulf Coast, and elsewhere.