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“Wonderful exposure to contemporary Hebrew (mostly) fiction and poetry - much of which is not available or known about outside of Israel.”
“Excellent podcast giving exposure to the best of Israeli letters: fiction and poetry, contemporary and classic, it's an essential regular listen. Also has very well selected musical accompaniments.”
“Marcela's voice is perfect for narrating the poetry featured on this podcast. It really puts me in between the lines of text.”
Recent Episodes
Lali Tsipi Michaeli’s “The Mad House”
Poet Lali Tsipi Michaeli says, “fear is what I felt as a child every time I drove with my parents in a car on Hayarkon Street. As the car was about to reach the "crazy house", I hid on the back seat floor and closed my eyes tightly. The house troubled the girl I was.”
Yishai Sarid’s “The Memory Monster”
“The Memory Monster” takes the form of a report by the narrator, a young Israeli Holocaust scholar, written to his superior from the Yad Vashem Holocaust Memorial Museum in Jerusalem, and raises ethical questions about the struggle to cope with the memory of the Holocaust
About the Host
Marcela Sulak
Marcela is an associate professor in the Department of English Literature and Linguistics at Bar-Ilan University. She teaches American Literature, poetics, and translation, and poetry workshops in the Shaindy Rudoff Graduate Program in Creative Writing. Her poetry includes Decency (2015), Immigrant (2010). She was nominated for the 2017 PEN Award for Poetry in Translation, and translates from Czech, French, Spanish, German, Hebrew, and Yiddish. She’s co-edited Family Resemblance. An Anthology and Exploration of 8 Hybrid Literary Genres, and her essays appear in The Los Angeles Review of Books, The Boston Review, The Iowa Review, Gulf Coast, and elsewhere.
Vaan Nguyen’s Poetry Collection: “The Truffle Eye”
“Nguyen’s poetry may circulate in the Anglophone literary market as part of an increasingly visible Vietnamese literary diaspora... And yet, introducing Nguyen’s poetry to the Anglophone reader needs to account for the particularities of the Vietnamese experience in Israel without letting it entirely overshadow her work.”