“A real gem - a podcast for intellectual conversations that manage to be erudite and fun. It's the best way to keep up with the latest ideas, research, and thinking on Israel and its interactions with the Jewish world, Palestinians and the Middle East. What I love about it is that I never know where the next conversation would go.”
“The Tel Aviv Review has become my indispensable companion on the road and an always provocative challenge to my own fixed ideas. This podcast is easily on the level of the best public radio interview shows in America. Kudos for making this unique contribution to the intellectual life of Israel.”
“The hosts' probing questions revealed a sophisticated grasp of modern European history and politics, their intersection with the history of Israel and a welcome ability to listen to what I said and respond with thoughtful follow-up questions.”
Recent Episodes
The Dialectics of a Special Relationship
Prof. Oz Frankel takes us inside a pivotal — and surprisingly complex — moment in Israeli history: the late 1960s and early 1970s, when Israel didn’t simply “become American”… it collided with America.
Early Zionism’s Arabists
Historian Dr. Mostafa Hussein explores how Jewish scholars in late Ottoman and British Palestine didn’t just study the region around them — they actively engaged with Arabic language, Islamic traditions, and broader Middle Eastern culture in shaping modern Jewish thought.
Special Podcast Series
About the Hosts
Gilad Halpern
Gilad is a journalist, broadcaster and media historian. He is also a founding co-editor of the Tel Aviv Review of Books magazine, an English-language online quarterly, and an Idit Fellow at the University of Haifa, researching the history of the Jewish press in Mandatory Palestine. Previously he was Managing Editor for Ynetnews and Assignments Editor for Haaretz English Edition. His work appeared on the BBC, Al Jazeera, Al Monitor, Time Out magazine, the Jewish Quarterly and the Jewish Chronicle.
A Nightmare on Herzl Street
A generation raised on VHS, torrents, and global cinema reinvented horror in Israel—turning familiar tropes into sharp, funny, and deeply local cultural critique. As Prof. Olga Gershenson explains, Israeli horror is anything but escapist—it’s subversive, original, and long overdue.